Showing posts with label gay. Show all posts
Showing posts with label gay. Show all posts

Thursday, April 5, 2012

Reflections on the Burning Library


Neal Kane, chair, The History Project
 
Preparing for The History Project’s presentation in conjunction with the Lyric Stage’s April 12 performance of The Temperamentals has enabled the members of our group to revisit some of the original research we compiled for our 1998 book Improper Bostonians. While helping to assemble the information for the mini-exhibit created by THP for the Lyric’s lobby, I thought of Edmund White’s essay collection The Burning Library, whose title refers to the idea that when someone dies, a library burns. 

What was life like for lesbians and gay men in Boston during the years chronicled in The Temperamentals? This is a question we will seek to address in our presentation – one that is difficult to answer for a number of reasons. Key among them is the fact that while American society had never been hospitable toward men and women who identified as homosexual prior to 1950, the atmosphere of paranoia and suspicion that characterized the Cold War era compelled gay people to adopt an even greater degree of secrecy. As a result, thousands of gay, lesbian, bisexual, and transgender individuals had to live with the reality that the substance of their experiences as loving and sexual beings would never find validation in the historical record. They were compelled to burn – metaphorically, and sometimes literally – the libraries of their lives.

Lost to history
The History Project’s work to restore gay New Englanders to their rightful place in the historical narrative of the 1950s and 1960s has often been a somber exercise. In attempting to document gay life during the Cold War, archivists and researchers are confronted, for the most part, with a melancholic silence. During that time, gay people had every incentive not to preserve the substance of their lives in letters, photographs, and public records – the building blocks that constitute the very foundation of historical research. A snapshot or love letter could serve as grounds for termination, disinheritance, or blackmail. We will never know the number and volume of records destroyed by gay New Englanders and their families in the name of “privacy” and “discretion” during that period. When those individuals died, the library of their lives perished with them – and no one was there to preserve it.

As a result, the efforts of The History Project to reconstitute that period of New England’s LGBT history have been limited to preserving the sparse remnants of historical information that survived the period before Stonewall: a few oral histories, a handful of publications, and a meager store of photographs.


Drag king and queen, late 1950's, Boston




The members of THP are motivated, in large part, by a commitment to honor those brave LGBT individuals whose stories were lost to history. Having amassed one of the largest LGBT archival collections in the country, which spans both the pre-Stonewall and post-Stonewall eras, we lovingly preserve those documents for posterity and share them with researchers and the public. Our archives chronicle the rich tapestry of gay lives in Boston and beyond – how we have lived, loved, struggled, protested, and triumphed. As an independent archives, we are able to save records that would otherwise be destroyed, and create opportunities for the public to experience how the history they contain can be brought to life. Programs such as our series From the Archives give individuals the opportunity to learn more about the social and historical significance of our collections. Collaborations with other organizations such as the Lyric help us educate community members – both gay and straight – about the contributions of LGBT individuals to the historical narrative.

Scott Erickson discussed the button collection he donated to The History Project as part of our From the Archives series

Our dream is to acquire a space that will serve as a permanent home for our archives and a center for scholarly research and public exhibitions related to New England’s LGBT history. As we pursue that dream, we continue to process thousands of documents annually, thanks to the tireless efforts of volunteers who spend their nights and weekends transforming chaotic boxes of paper into carefully preserved and fully indexed collections. Their work is informed by pride, patience, and a shared goal: ensuring that the achievements of LGBT individuals assume and maintain their rightful place in history for generations to come.

Tuesday, April 3, 2012

Thoughts from the Audience

Brian Dudley, Box Office Manager
So have you seen the show yet?

Our production of The Temperamentals has now played four full performances, and things are off to a really great start across the board. Oh, sure, I could tell you what the critics are saying - The Boston Globe called it a "solid production," noting Will McGarrahan's "finely etched character portrait" of Harry Hay in their review today - but really I feel as though it is more important to you what I think.

You may recall that I wrote a few weeks ago about how I was excited to see this play up and running because of how much the script lends itself to being staged. Well, as it turns out, I was right, because everything about this play is nuanced and tempered (excuse the pun - is that a pun?) and it's all pretty great. My confusion was washed away and I found myself sitting and really enjoying the show I was seeing. Of course, I don't want to sit here and just review the play for you, because I am sure you are planning on seeing it. But let me say that I am really excited about how our first four audiences have been responding to this show.

I heard a story recently about a theater professional from out of town who was lamenting and chastising theater audiences these days for only looking for mindless entertainment, for not being interested in  connecting with art, and being afraid to take their engagement with a piece to a deeper level. And I am pretty thrilled to say that The Temperamentals audiences thus far are proving this guy completely wrong. Our audiences have been stopping to talk to us on their way out the door, and I gotta tell you, biased I may be, but all of the conversations I've had with people have been thought-provoking and indicative of a real connection to the play.

Some examples. At our post-performance talkback last Sunday, there was a lot of discourse about how truthful and honest the play was when it came to portraying these real-life characters in a fictional setting, and about how timeless and important this story is, and how moved they were by the show. People who've been using our Virtual Photo Booth (patent pending) have been chatting animatedly about how the characters are the lifeblood of the piece and how talented and invested our actors are. I've observed people fervently reading Nora's excellent dramaturgy - articles in the program and posted in our lobby - and have overheard conversations that range from dissecting the play from all angles, to stories being told about living through the times depicted in the play, to one person musing on the themes of the play and deciding to sum it up with the classic "to thine own self be true."

So to whoever says people only want entertainment, I say, pbbttttttthhhhh to you, sir.

... which is not to say that this show isn't entertaining. I mean, look, this picture contains not only a ukulele, which is statistically proven to be the most entertaining instrument*, but also a turnip with a face on it:

Victor Shopov, Will McGarrahan, and Shelley Bolman. Photo by Mark S. Howard.
So there's that, too.

*Okay, there is no such statistic, but come on! It's a teeny tiny little string instrument!

Tuesday, March 27, 2012

Coming Out

A. Nora Long, producing associate

Our lighting designer, John Malinowski, forwarded this article along to members of the production staff and company with the subject heading, "Coming Out in the 21st Century". It is a beautiful little story about one American family, and offers a different (and more inclusive) perspective on the "traditional" family values rhetoric. I am reminded of what Ellen DeGeneres said regarding calls to boycott JC Penney for having a woman representing "a non-traditional lifestyle" as their spokeswoman. "Here are the values I stand for: I stand for honesty, equality, kindness, compassion, treating people the way you'd want to be treated and helping those in need. To me, those are traditional values."

Thanks for sending the article along, John!

Tuesday, March 20, 2012

Radically Gay

Jeremy Johnson, director.

When I was 15, this old guy Andy (I think he was probably 30 at the time) worked with me at the local community theatre in Randolph, New Jersey. One day Andy handed me Reflections of a Rock Lobster and One Teenager in Ten. I don't recall if we had a conversation about being gay or not but those books changed me. I read them dozens of times and carefully hid them under my bed.

When I was 16, I got my driver's permit and Melissa Etheridge released a CD called Yes I Am. She sang a song called "Silent Legacy" and I pulled over on the highway because I couldn't see the road anymore. I sobbed for about twenty minutes pressing repeat each time the song ended. She had written a song for me and she felt like I did.

When I was 17, I walked into the Drama Bookshop in NYC and with butterflies in my stomach and sweating hands bought The Night Larry Kramer Kissed Me by David Drake and read about what it was like to be a sissy and a badass all at the same time. I met David in Provincetown two years ago and it continues to be a very special day for me. Sometimes I think he saved my life.

When I was 32, I read The Temperamentals and all the memories above came rushing back to me immediately.

There is nothing more powerful than the moments when you realize you are not alone.