Showing posts with label Lyric Stage. Show all posts
Showing posts with label Lyric Stage. Show all posts

Friday, April 20, 2012

To Blog or Not To Blog

A. Nora Long, producing associate
 
Dear readers, As we near the end of our Temperamentals blog, we here at the theatre can't help but notice the HUGE viewing stats this little guy has gotten. It has lead some of us to think that maybe we will keep this little experiment going beyond this show and into a year round e-conversation about all the happenings at the Lyric.

So, I ask you - are you interested? What kind of things do you want to read about? Because you, dear readers, have the opportunity to also be writers yourself. Please feel free to take advantage of the comment section to tell us your thoughts, ask us your questions, or just give us some ideas for future posts.

The internet is not a one-way series of tubes, after all, and you all have our number.

On Tuesday look for our last Temperamentals guest blogger as the show closes next Saturday night. Come out and see us sometime (and by sometime we mean during our remaining performances).

Friday, March 9, 2012

What You Can Do

A. Nora Long, producing associate
 
Sorry, blog, this is a day late. But, hopefully, I will make up for my tardiness, with thoughtfulness (fingers crossed).

On Sunday, I led our second talkback for our current production Time Stands Still; (Hang on, isn't this blog about The Temperamentals? Wait for it!) the story of two journalists recovering from trauma they have faced abroad, and the impact their work has on their relationship. It is a play about relationships, primarily, but one of the questions it raises (and was again raised by several audience members) surrounds the idea of the value of journalism. Is it worth the risk these journalists take to cover these stories? With so many images fighting for our attention, does any single image have power anymore? Why is it important for average citizens to be informed about the world? What can we really do about it?

I think we can all sympathize with this feeling of helplessness. What can any of us small individuals do about all the many terrible things happening in the great big world? Well, in this country, you have two powerful tools at your disposal - voting and shopping.

I think the benefits of voting are fairly self-explanatory - you can have a direct impact on who makes decisions in the one of the most powerful nations in the world. You can lobby your elected officials, you can let them know how you feel about anything. And, with the advent of the internet, it couldn't be easier. In case you weren't otherwise aware (cause you read this blog but no other source of news?) this is an election year. In Massachusetts, you must register to vote by August 17th to be eligible to vote in the State Primary, or by October 17 for the General Election on November 6th. You can read more about it here. So, vote, and email your representatives.

Shopping may sound silly, but as a consumer in a capitalist country, where you put your money matters. The fact is the advances of technology and the global market mean that we are all much closer to events in the world than ever before. In the 90's, we all started to look at our sneakers differently, and changed the industry - and now the true cost of the Ipad is drawing similar comparisons. In the last month, a group threatened to boycott JC Penney for hiring Ellen DeGeneres as a spokeswoman, only to rally several thousand more supporters to DeGeneres and the retailer, in a sense boycotting the boycott. 

I could go on as there are many examples of how each of us can contribute in our small ways to shaping the world we want to live in - which brings me nicely to the story of The Temperamentals. As Stuart Timmons writes about in his biography of the leader of our group (and incidentally revealing the inspiration for the title, "The trouble with Harry Hay was his refusal to adapt to a reality he found unacceptable." We can all do the same. As the philosopher George Santayana wrote, “Those who fail to heed the lessons of history are doomed to repeat them."


In looking back on our past, we have the advantage of hindsight, and can determine for ourselves how much has really changed, and how much has stayed the same. And then we can figure out what we want to do about it.

Wednesday, February 29, 2012

Introductions

by A. Nora Long, producing associate

Hello Internet!
And welcome to the Lyric Stage Company of Boston’s blog for our upcoming production of The Temperamentals. This play by Jon Marans centers on events in history that don’t get much play in lessons about the 1950s, and we thought you all might benefit from an extra look-see into the world of the play and our production process.

Every Tuesday you can expect a new update from a member of the cast, production team or Lyric staff, and every Thursday (or “Turgsday”) I will be posting some dramaturgically-related information about the show. Have a question or a comment burning in your breast? Let us know, and you might just be the subject of our next post.

In the meantime, you might be asking yourself, “what is The Temperamentals about anyway?” I’m so glad you asked. The Temperamentals is a beautiful, moving, and true love story of political activist Harry Hay, and fashion designer Rudi Gernreich and the formation of one of the first Gay rights organization in the United States, the Mattachine Society. “Temperamental” was one of the many code words for “homosexual” in the early 1950s. In this play we see Hay, Gernreich, and the first few Mattachine members struggle to shuffle off the veil of secrecy and discover who they truly are. It is a remarkable and timely piece, perfect for launching many thoughtful and fruitful discussions through the virtual world here and the analogue world out there.

Till next time, see you at the theatre.